Class Schedules

Reading Plays guides students in close readings of dramatic literature, in particular of plays that are typically left out of the traditional theatrical canon. Students will learn about the socio-historical context of each play, and in-class exercises will introduce them to the foundation of script analysis: they will examine the play’s given circumstances, dialogue, dramatic action, characters, and style. Students will read a new play every week; assignments include weekly in-class writing exercises and short critical papers. Some playwrights we may explore are: Ayad Akhtar, Jaclyn Backhaus, Christopher Chen, Mashuq Mushtaq Deen, Prince Gomolvilas, David Henry Hwang, Naomi Iizuka, Rajiv Joseph, Hansol Jung, Haruna Lee, Kimber Lee, Young Jean Lee, Qui Nguyen, Jiehae Park, Lloyd Suh, Kristina Wong, Lauren Yee, and Chay Yew.

General Education Requirements:
Writing WA
Internationalism OR U.S. Identities and Differences

Distribution Requirements:
Fine arts

Course Materials

In this introductory course, we will study African American literature from its origins to the present. We will study major genres and movements, including the Harlem Renaissance and Afrofuturism. We will learn to use the tools of literary analysis in order to read closely, critically, appreciatively—and collectively. Themes of prophesy (what Du Bois termed “second sight”), literary experimentation, and beauty will focus our study. Authors will include: David Walker, Harriet Jacobs, W. E. B. Du Bois, Langston Hughes, Zora Neale Hurston, James Baldwin, Octavia Butler, Claudia Rankine, and Ross Gay. Requirements include: a presentation, brief written responses to the readings, one medium length essay and a revision of it, and a final project that will include a written component. This course fulfills either the foundation course in literature requirement or the literature by U.S. writers of color requirement for the English major.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This course introduces the basic issues and concepts of Asian American Studies. We begin by looking at the birth of Asian American Studies as a field in response to student protests in the late 1960s. We then proceed to an overview of Asian American history beginning with U.S. imperialism in Asia and moving up to the present moment. For the remainder of the course, we'll focus on particular topics such as: the model minority myth; anti-Asian violence; multiracial Asian American identity; and Asian American activism. The approach of this course is interdisciplinary; it draws on theoretical and methodological insights from academic disciplines such as history, ethnic studies, and sociology.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This introductory-level course uses the youth-oriented Hunger Games trilogy (plus prequel) as a platform for launching an adult and scholarly conversation about global inequality, environmentalism, Reality TV, race/gender/sexuality, war, revolution, and the power of love. We will take an interdisciplinary approach; we will read, discuss, write, and interact in ways that are less concerned about adhering to disciplinary traditions than about exploring ideas and problems that are relevant to the 21st century. We will take archery lessons and share recipes for baking bread. A major goal of the course is to open up our hearts and minds, and to discover more precisely what we hunger for—as scholars, citizens, and human residents of the planet Earth. Prerequisites: Before the course starts, you should have finished all the books, including the prequel. We will watch the films together in a movie marathon weekend early in the semester.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

From the Philippine-American War (1898-1910) to the global uprisings of May 2020, white supremacy and US imperialism have marched hand-in-hand, buttressed by cultures of violence and literal guns and tanks. Yet cracks in the walls of racism and empire have also always existed, with hopeful gestures of solidarity and activist movements pushing forward with new possibilities and imagined futures. In this discussion-based course, we will look for the common threads that link David Fagen (Black U.S. army soldier who defected and joined the Philippine nationalists in 1899) to the Vietnam antiwar movement (1955-1975) to Grace Lee Boggs (Chinese American philosopher activist based in Detroit, 1915-2015) along with many other individuals and events. Among the significant questions we will consider are: How can we change the separatist mindset of "zero-sum" and move toward solidarity on a world scale? What lessons can be drawn from the global COVID pandemic and the Russian war in Ukraine? How can we replace a culture of violence with a culture of peace?

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

The theorization of difference is an important aspect of cultural theory. In this class we will look at the role of difference as it is understood through ideas of representational and aesthetic politics as well as through the practice and production of knowledge. We want to examine the turn to difference within cultural studies and how this move has shifted how we think about power relations and meaning making in society. We will look at the foundational work of critical race and ethnic studies in cultural theory as well more recent scholarly work that focuses on the administration of difference through surveillance technology and social media. The class will expose students to a range of material including print, digital media, film, television, and internet and social media.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Social science

Course Materials

The readings and assignments in this course are designed to help students understand how social policies and programs contribute to Americans' lived experiences.  We will examine various theoretical justifications for the policies that constitute the American welfare state, then confront and dissect major strands of the American social safety net to better understand how political institutions and policy mechanisms contribute to both diversity and inequality in individuals' social, economic and political outcomes (based in race, class, gender, dis/ability, region, political jurisdiction, etc.).

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Social science

Course Materials

The readings and assignments in this course are designed to help students understand how social policies and programs contribute to Americans' lived experiences.  We will examine various theoretical justifications for the policies that constitute the American welfare state, then confront and dissect major strands of the American social safety net to better understand how political institutions and policy mechanisms contribute to both diversity and inequality in individuals' social, economic and political outcomes (based in race, class, gender, dis/ability, region, political jurisdiction, etc.).

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Social science

Course Materials

In less than ten years we have gone from Laverne Cox gracing the cover of Time Magazine, declaring that we have reached the “transgender tipping point,” to a broad based anti-trans culture war. From Caitlyn Jenner to Laverne Cox, CeCe MacDonald to Chelsea Manning, Transparent to Pose, trans people have experienced unprecedented media coverage over the past ten years. And yet, alongside this positive media coverage, trans exclusion has emerged as a key component of the global rise of white nationalism, and we see legislatures across the country foment fear of the transsexual child predator, pass bills to restrict trans kid’s participation in sports, and limit gender affirming medical care for youth and adults. Even more concerning, The National Coalition of Antiviolence Projects reports that 2021 saw a record number of murders of transgender individuals, in particular trans women of color. In all of these instances, it’s useful to consider how and why the specter of transness is raised. What social and political work does that figure do? This course investigates the ways that ideas about normative and non-normative gender are produced in the context of white supremacy and capitalism, recognizing that discourses about gender, race, class, sexuality and nation are co-constitutive and historically contingent. Foregrounding intersectionality, we begin with situating the production and policing norms around gender and sexuality as a key tactic of settler colonialism, and then we move forward in time through the nineteenth, twentieth, and twenty-first centuries to think about how norms around racialized gender and sexuality have been policed, resisted, and transformed in various historical moments.This course will examine transness as practices of gender transgression, rather than solely an identity category, practices that are historically and geographically contingent. In doing so, we will ask: What has gender non-conformity meant in various historical moments? How do race, class, gender, sexuality, and disability structure trans lives and communities? How have key institutions within the US constructed ideas about gender normativity and policed gender transgression? How has that policing impacted and shaped trans life? What is the relationship between feminism and trans people and trans liberation? How have trans people envisioned and fought for social justice? What space can trans embodiment and politics open up for new ways of living, relating, and imagining otherwise?

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Social science

Course Materials

The course examines the post-World War II Civil Rights Movement led by African Americans in the United States.  In the class, students will analyze key people, issues, events, and debates within movement history, including, but not limited to, gender and leadership; struggles for civil rights in the south, west, and urban north; the impact of the Cold War on race relations; student activism; movement strategies; and the emergence of Black Power.  Throughout the semester, students will read a wide variety of primary and secondary texts to illuminate the activities and life stories of individual participants as well as the broad historical forces that characterized this long era of insurgency.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This course examines Native history to 1871 -- the year that Congress unilaterally chose to stop making treaties with Native nations -- by considering the multifaceted histories and experiences of Native people in what is now the United States. By looking at Native interactions with (and resistance to) Spanish, French, British, and American explorers, settlers, missionaries, militaries, and government officials, this course argues that Native history is essential to understanding past as well as present issues. Can count towards "Colonization and Empire," or "Race and Indigeneity," or "Law and Social Justice," or "North America" fields.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This course examines traditions of 20th century African American women's activism and the ways in which they have changed over time.  Too often, the narrative of the "strong black woman" infuses stories of African American women's resistance which, coupled with a culture of dissemblance, makes the inner workings of their lives difficult to imagine. This course, at its heart, seeks to uncover the motivations, both personal and political, behind African American women's activism. It also aims to address the ways in which African American women have responded to the pressing social, economic, and political needs of their diverse communities. The course also asks students to consider narrative, voice and audience in historical writing, paying particular attention to the ways in which black women's history has been written over the course of the twentieth century.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Humanities

Course Materials

Poor and minority populations have historically borne the brunt of environmental inequalities in the United States, suffering disproportionately from the effects of pollution, resource depletion, dangerous jobs, limited access to common resources, and exposure to environmental hazards. Paying particular attention to the ways that race, ethnicity, class, and gender have shaped the political and economic dimensions of environmental injustices, this course draws on the work of scholars and activists to examine the long history of environmental inequities in the United States, along with more recent political movements-national and local-that seek to rectify environmental injustices.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This class examines the Atlantic commerce in enslaved Africans that took place between 1500 and 1800. We will explore, among other topics, transatlantic commerce, the process of turning captives into commodities, the gendered dimensions of the slave trade, onboard experiences, resistance to the trade, Africans in the Americas, and the abolitionist movement on both sides of the Atlantic. Students will read a range of primary and secondary sources in order to gain a more complex understanding of the trade and how it changed over time. Meets the global and/or comparative history requirement. Meets the pre-1800 requirement, and can count towards "Colonization and Empire," or "Race and Indigeneity," or "Law and Social Justice," or "Africa & Atlantic World" fields within the History major.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Humanities

Course Materials

In this course, we will study African American literature from the end of the 18th century to the turn of the 20th century, from Phillis Wheatley to Frederick Douglass to Ida B. Wells. Themes of the course will include forging Black solidarity and writing as means of self-construction and resistance. We will also foreground early African American literature as art, as an at once aesthetic and political project, reading it closely and appreciatively. We will frame our semester’s work with sound studies, exploring how this literary tradition engages with oral culture and with the sonic. Requirements include: brief written responses to the readings, a presentation, a medium-length essay and a revision of it, and a final reflection. This course fulfills the English major requirement either of a course focused on literature by U.S. writers of color or a course on 19th-century American literature.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

Join us as we explore the roots and routes of Native Cultural Studies through photography, film, television, print and media. How have Indigenous people been represented in visual culture? And what can Indigenous visual artists or film theory teach us about the past, present and future in the United States? No previous coursework required.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

Who hasn’t heard of Critical Race Theory in this day and age? More often than not, "CRT" has served as a paper tiger for white supremacist, right wing attacks. However Critical Race Theory is primarily a legal studies approach, and is just one of many ways of thinking about race. In this course, we will offer a broad, interdisciplinary foundation for understanding, analyzing, and coming to terms with race, racism, and racial inequality in the United States. Students will have the freedom to explore their own interests through in-class discussions and a research paper. Topics will include racial formation in the United States; Asian settler colonialism; racial capitalism; and yes, Critical Race Theory.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

Monuments to enslavers, colonizers, torturers, dictators, war criminals, and other unsavory historical figures often garner substantial news media attention and hold symbolic and cultural significance. The death of George Floyd at the hands of Minneapolis police forces in 2020 reignited an ongoing global discussion over such monuments that points to their continuing importance as a global issue and their role in political efforts to reshape narratives around national and regional identities. Monuments are also increasingly connected to movements to decolonize places and pursue (or deny) social justice. This interdisciplinary geography course focuses on monuments and memory within a contemporary global context. It surveys controversies over tearing down, re-contextualizing, removing, renaming, and relocating problematic monuments and memorials, as well as efforts to construct new monuments (sometimes called counter-monuments or counter-commemoration) to underrepresented, colonized, or otherwise marginalized groups. Monuments to enslavers across the Americas in countries like the United States and Brazil and to colonizers in Europe, Africa, and Asia will occupy much of the course reading and discussion. The course will also involve a field-based component in which we physically visit, reflect on, and interpret local memorials in the Twin Cities area.

General Education Requirements:

Distribution Requirements:
Social science

Course Materials

In this class, we will explore how love resides at the very heart of the African American literary tradition by studying how African American writers of the 20th and 21st centuries have consistently expressed, theorized, and embraced love. Our readings will represent multiple kinds of romances and sexualities, yet all will center the love that both emerges from and helps to create Black collectivity, solidarity, and joy. Our readings will also reveal and challenge the oppressive forces that Black love and lovers so often must withstand. Authors will include: W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, Toni Morrison, Audre Lorde, and Samuel Delany. In addition, we will read some scholarship related to the course topic and to our texts. Course requirements include: discussion questions on our readings, a presentation, a short essay, and a final project. This course fulfills the U.S. writers of color requirement for the English major. Prerequisite: One prior English course numbered in the 100s.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

Varies by semester. Consult the department or class schedule for current listing.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

The Senior Capstone is required of all majors. Majors who meet college criteria are encouraged to conduct an honors project in conjunction with their Senior Capstone.

General Education Requirements:

Distribution Requirements:

Course Materials

This course is an introductory look at the historical, theoretical, and critical perspectives on the development and evolution of the concept of "race" and the reality of racism within the United States. Specifically, students will learn how anti-blackness is embedded within the broader social, political, economic, and cultural structures that inform civil society, influencing the emergence of the Movement for Black Lives and the Black Lives Matter Minneapolis chapter. Central to this class is examining how racial categories are socially constructed and shape contemporary Black social life, social movements, and the ongoing struggle to hold police accountable for extrajudicial killings. The first learning goal of the class is to define race as a social construct and understand how racism and anti-blackness have operated in the United States. The second learning goal is understanding how Black thinkers, BLM activists, and the larger Movement for Black Lives have created theories, concepts, and strategies to resist domination affecting Black communities within the United States and the world. By the end of the course, students will be able to historically and theoretically situate the Black Lives Matter Minneapolis chapter in the context of Black freedom movements, abolitionism, intersectionality, and concepts of racial capitalism to prepare themselves for critical contemporary debates on how to address past and present struggles for Black Lives.

General Education Requirements:

Distribution Requirements:
Social science

Course Materials

Reading Plays guides students in close readings of dramatic literature, in particular of plays that are typically left out of the traditional theatrical canon. Students will learn about the socio-historical context of each play, and in-class exercises will introduce them to the foundation of script analysis: they will examine the play's given circumstances, dialogue, dramatic action, characters, and style. Students will read a new play every week; assignments include weekly in-class writing exercises and short critical papers.

General Education Requirements:
Writing WA
Internationalism OR U.S. Identities and Differences

Distribution Requirements:
Fine arts

Course Materials

Reading Plays guides students in close readings of dramatic literature, inparticular of plays that are typically left out of the traditional theatrical canon. Students willlearn about the socio-historical context of each play, and in-class exercises will introducethem to the foundation of script analysis: they will examine the play’s givencircumstances, dialogue, dramatic action, characters, and style. Students will read a newplay every week; assignments include weekly in-class writing exercises and short criticalpapers. Some playwrights we may explore are: Ayad Akhtar, Jaclyn Backhaus,Christopher Chen, Mashuq Mushtaq Deen, Prince Gomolvilas, David Henry Hwang,Naomi Iizuka, Rajiv Joseph, Hansol Jung, Haruna Lee, Kimber Lee, Young Jean Lee, QuiNguyen, Jiehae Park, Lloyd Suh, Kristina Wong, Lauren Yee, and Chay Yew.

General Education Requirements:
Writing WA
Internationalism OR U.S. Identities and Differences

Distribution Requirements:
Fine arts

Course Materials

Reading Plays guides students in close readings of dramatic literature, in particular of plays that are typically left out of the traditional theatrical canon. Students will learn about the socio-historical context of each play, and in-class exercises will introduce them to the foundation of script analysis: they will examine the play's given circumstances, dialogue, dramatic action, characters, and style. Students will read a new play every week; assignments include weekly in-class writing exercises and short critical papers.

General Education Requirements:
Writing WA
Internationalism OR U.S. Identities and Differences

Distribution Requirements:
Fine arts

Course Materials

In this introductory course, we will study African American literature from its origins to the present.We will study major genres and movements, including the Harlem Renaissance, The Black ArtsMovement, and Afrofuturism. We will learn to use the tools of literary analysis in order to readclosely, critically, appreciatively—and collectively. Themes of national critique, solidarity, andfuturism will focus our study. Authors will include: David Walker, Langston Hughes, Zora NealeHurston, James Baldwin, Octavia Butler, and Janelle Monáe, among others. Requirements include:brief written responses to the readings, a presentation, one essay and a revision of it, and a finalproject that will include a written component. This course fulfills either the foundation course inliterature requirement or the literature by U.S. writers of color requirement for the English major.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This course will introduce students to interdisciplinary research approaches to the study of race, ethnicity, and other categories of difference. Students will learn to conceptualize and design research projects, and will obtain hands-on experience in executing different methods. The course will also consider the critiques of systems of knowledge production and research approaches that have been informed by scholars from fields such as African American history, gender studies, and critical race studies, as well as from the disciplines. The goal is to develop an understanding of the assumptions embedded in many fields of inquiry, and to learn to apply critical approaches to important research questions. Prerequisite(s): AMST 101 or another AMST course.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

In Motion is an introduction to modern African American History from slavery to contemporary times. In Motion emphasizes the idea that both African Americans and the stories of their lives in the United States are fluid, varied and continually being reinterpreted. Rather than a strict chronological survey, this course is organized thematically. Some of the important themes include movement/mobility/migration; work/labor; resistance to systems of oppression; gender/sexuality/culture/performance; politics/citizenship; and sites of (re)memory. While the course is geographically situated in the United States, we will also consider African American life, culture, thought and resistance in global perspectives. In this course, students will read important historical texts, both primary and secondary, engage in discussion, write essays, and make and analyze creative work in digital and traditional art media to critically engage the history of African Americans in the US. Note for Art and Art History majors/minors: this course will count as a Studio Art Elective if taken as ART 294: please ask the Art and Art History Chair to submit a note in Degree Works upon successful completion of the course.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

The American West is central to the construction of America's identity and popular culture.  The mythology of the American West, built on a narrow foundation of Euro-American settlement and conquest, is critical to understanding the role of the West in the national narrative of American history. Using a variety of materials, including films, art and photography, literature, and historical sources, this course will examine how writers, artists, actors, settlers, and government officials, among others, shaped the creation of the mythic West.  This course will investigate what - and who - is and is not considered part of this mythology, as well as the ways in which these constructs attempted to make sense of the diverse populations converging in the West. Can count towards "Colonization and Empire," or "Race and Indigeneity," or "North America" fields of the History major.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

The experiences of African-descended peoples in the Americas, both in slavery and freedom, varied enormously across geography and changed over time. Focusing on North America and the Caribbean before 1865, this course will highlight ways that people suffered under systems of slavery but also explore how they struggled against bondage, created new identities, and formulated a distinctive Black Protest Tradition. The course will interrogate the changing ways that race functioned legally, politically, and culturally before 1865. It will also examine the various ways that Africans in the Americas resisted legal enslavement through violence, political activism, and cultural creativity. Because this is a history course, we will examine the nature of sources, including archives, to consider how we know what we know about the past. Can count towards "Race and Indigeneity," or "North America" fields.

General Education Requirements:
Internationalism OR U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This course examines Native history since 1871, the year Congress unilaterally chose to stop making treaties with Native nations. By focusing on Native sovereignty, resistance, and the exercise of treaty rights, this course highlights histories and contemporary experiences of Native people in what is now the United States. Meets the post-1800 requirement, and can count towards "Colonization and Empire," or "Race and Indigeneity," or "Law and Social Justice," or "North America" fields.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This course explores cross-cultural encounters in the Americas that characterized the meetings of Europeans, Africans, and Americans in the early modern world between 1492 and 1763.  During this period, the Atlantic Ocean and its adjacent land masses became critical locations for economic, biological, and cultural exchanges.  This course focuses on the Americas as sites for discovery, mutual incomprehension, and exploitation.  The course explores the ways that conquest, resistance, and strategic cooperation shaped peoples' "new worlds" on both sides of the Atlantic. It also considers how colonialism framed and was framed by scientific inquiry, religious beliefs, economic thought, and artistic expression.  Students interrogate primary sources-written, visual and aural--that emerged from these encounters and the secondary literatures that have sought to make sense of them.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

Poor and minority populations have historically borne the brunt of environmental inequalities in the United States, suffering disproportionately from the effects of pollution, resource depletion, dangerous jobs, limited access to common resources, and exposure to environmental hazards. Paying particular attention to the ways that race, ethnicity, class, and gender have shaped the political and economic dimensions of environmental injustices, this course draws on the work of scholars and activists to examine the long history of environmental inequities in the United States, along with more recent political movements-national and local-that seek to rectify environmental injustices.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This survey course will explore history, policy, and pedagogy as they relate to race, ethnicity, and culture as education. K-12 public education will be the primary focus with topics including desegregation, standardized testing, multi-cultural and ethnocentric pedagogy, the teacher's role and experience, and significant historical events in education. The course will culminate by analyzing current trends and future expectations in education.

General Education Requirements:
Writing WP
U.S. Identities and Differences

Distribution Requirements:
Social science

Course Materials

Asian Americans are often overlooked in the study of religion in the U.S., and yet the impact of Asian religious practices can be seen at every turn: yoga studios, mindfulness meditation, "zen" aesthetics of minimalism, and so on. What do we make of the gap between how Asian religions are practiced in Asian American communities and how these traditions have been reinterpreted by predominantly white, educated, middle class adherents? How do Asian American Christians negotiate their identities in the context of non-Asian Christian churches or the intergenerational tensions within their own ethnic churches? The approach of this course is interdisciplinary (and sometimes counterdisciplinary); it draws on theoretical and methodological insights from ethnic studies, religious studies, history, and sociology. Topics include: race and the racialization of Asian Americans; the politics of cultural and religious exchange; the commodification of Asian religious practices; and issues of assimilation and hybridity within Asian American Christian traditions.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This course will address the tradition of public intellectuals in numerous Black communities. We will expand the definition of "politics" to include theater, literature, and film. We will interrogate the concept of who chooses the scholarly leaders for Black communities. We will examine numerous topics such as Communism, The American Dream, Incarceration, Feminism, and Ebony Voices in the Ivory Tower.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This discussion-based course is entirely focused on Bruce Lee, the actor and leading martial arts icon of the 20th century. Using American Studies and Critical Race Studies frames to examine the construction of racialized and gendered bodies, we will discuss Bruce Lee in terms of his biography, identities, politics, philosophy, and filmography. We will take time to appreciate the entertainment value and athleticism that Bruce Lee brought to his work, but we will also learn to distinguish the commercialized, commodified Bruce Lee (from t-shirts to posters to action figures) from the serious historical figure who symbolized the spirit of cultural independence and political sovereignty around the world. Among the required books and movies: The Tao of Jeet Kune Do, and "Way of the Dragon" (1972).

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Social science

Course Materials

From notions of the "pure self" to teenage ganguro ("face-blackening"), Japanese culture is rife with instances of ideology and performance that reflect a deep complexity in its engagement with issues of identity and foreignness. This course traces the roots of this complexity back to Japan's beginnings as a modern nation and examines its cultural development into the present day. Works of fiction will be paired with readings in history and criticism to explore the meanings of identity, race, and ethnicity as they are expressed and contested in Japanese culture. The course will cover the literature of Korea and Taiwan, the experience of domestic minorities, and the contemporary cultures of cos-play ("costume-play") and hip-hop. No prior knowledge of Japanese required.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Humanities

Course Materials

In 1966, sociologist William Peterson published an article in the New York Times titled, "Success Story, Japanese-American Style," which praised Japanese Americans, their family structure, and their culture for achieving education and financial success despite having been incarcerated en masse during World War II. This marks the first articulation of model minority myth, which stereotypes Asian American as being successful, hardworking, law-abiding, and dutiful, relative to other minoritized groups. So, how did Japanese Americans go from being perceived as enemy spies to the original "model minority"? This course will examine the history and experience of Japanese Americans from the mid-nineteenth century to the present, with an eye toward Japanese American activism and resistance. Topics will include: U.S. imperialism in Asia; the effects of incarceration during World War II; Japanese Americans in Hawai'i; Japanese American organizing against Islamophobia and the mass incarceration of migrants at the border; and Japanese American solidarity with the civil rights movement and reparations for African Americans.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

This course will explore white Christian nationalism, the confluence of white supremacy and the idea that the US is a Christian nation whose laws should conform to Christian values and principles. Although public consciousness of white Christian nationalism has increased since the attack on the US Capitol on January 6, 2021, it has a centuries-long history and continues to influence US politics, culture and religious life. Topics in this course include nationalism, racial liberalism, whiteness, and civil religion.

General Education Requirements:

Distribution Requirements:

Course Materials

Endarkened Feminist Epistemology (EFE) is an approach to research that honors the wisdom, memory, spirituality, and critical interventions of transnational Black women’s ways of knowing (Dillard, 2016). A framework created by scholar Dr. Cynthia Dillard, it articulates how reality is known from the vantage point of transnational Black women - transnational recognizing the connections between African descended women throughout the diaspora as well as the continent. Through reflecting on course readings, writing, and sacred practice, this class will explore EFE’s claims and methodologies, as well as center other transnational Black women whose work helps us make connections between history, spirituality, and our collective positionality within academia.

General Education Requirements:

Distribution Requirements:

Course Materials

What happens when Minnesota history is narrated from the perspectives of African Americans and Africans? What happens when African Americans and Africans narrate American history in the Midwest? This course will help students understand the past and present struggles of African American and African communities in Minnesota and the larger Midwest region, more specifically students will learn how these communities contribute to regional and national history, culture, and politics. Students will complete a community-based project to amplify the stories of past and current Black Minnesotans, who are underrepresented in the archive and popular memory. Throughout this class, we will alternate between using the terms "African American," "Black American," and "African" to distinguish different interpretations of "Black" in a Minnesota context.

General Education Requirements:

Distribution Requirements:

Course Materials

This course provides an interdisciplinary discussion of the Latinx experience in the United States with a focus on Mexican, Puerto Rican, Dominican, and Cuban- Americans. Using fiction, poetry, films and critical essays, we will examine issues of race and ethnicity, language, identity, gender and sexuality, politics, and immigration. This course satisfies the Area 2 requirement for the Spanish major. Prerequisite(s): SPAN 305 or SPAN 306

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

Join the conversations around class and the development of the labor movement in the US from the late 1800s to the present day through the lens of the theater and the people who worked in it. We will ask how the economic and political landscape shaped their working conditions, and how the arts themselves then shaped that same landscape. We will engage with this great conversation through 9-10 plays on power, labor and class struggle and analyze them in their context both as pieces of theatrical entertainment and political statements. Throughout the semester, students will also research parallel developments in other parts of the world and will present a research and analysis paper comparing and contrasting their findings with the material presented in class. Not appropriate for First-Year students.

General Education Requirements:
Writing WA
U.S. Identities and Differences

Distribution Requirements:
Fine arts

Course Materials

This course explores the history and politics of, and theoretical approaches to, gender and sexuality in relation to the racial politics of mass incarceration, or what Ruth Wilson Gilmore calls the "carceral geography" of the United States. By engaging recent work in queer and trans studies, feminist studies, and critical prison studies, we will consider how prisons and policing have shaped the making and remaking of race, gender, and sexuality from slavery and conquest to the contemporary period, and consider how the racialized harm of the criminal punishment system is often enacted through the policing of gender and sexuality. We will examine how police and prisons have regulated the body, identity, and populations, and the larger social, political, and cultural changes connected to these processes. While we will focus on the carceral system itself, we will also think of policing in a more expansive way by analyzing the racialized regulation of gender and sexuality on the plantation, in the colony, at the border, in the welfare office, and in the hospital, among other spaces, historical periods, and places. This is a community engaged course, and in the second half of the semester, students will work closely with the organization REP MN on a community-engaged project.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Social science

Course Materials

The great African American writer Langston Hughes (1902-1967) is best known as the poet laureate of the Harlem Renaissance. But his career was vaster still. He was a Soviet screenwriter, Spanish Civil War journalist, African literary anthologist, humorist, playwright, translator, social critic, writer of over 10,000 letters, and much more. This course engages Hughes's full career, bridging race and global issues, politics and art, and makes use of little-known archival materials. This course fulfills the U.S. writers of color requirement for the English major.

General Education Requirements:
Writing WA
Internationalism OR U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials