Class Schedules

This course introduces students to the intellectual roots and contemporary applications of cultural studies, including critical media studies, focusing on the theoretical bases for analyses of power and meaning in production, texts, and reception. It includes primary readings in anti-racist, feminist, modern, postmodern, and queer cultural and social theory, and compares them to traditional approaches to the humanities. Designed as preparation for intermediate and advanced work grounded in cultural studies, the course is writing intensive, with special emphasis on developing skills in critical thinking and scholarly argumentation and documentation. Completion of or enrollment in MCST 110 is the prerequisite for majoring in media and cultural studies.

General Education Requirements:
Writing WA

Distribution Requirements:
Humanities

Course Materials

This course introduces students to the intellectual roots and contemporary applications of cultural studies, including critical media studies, focusing on the theoretical bases for analyses of power and meaning in production, texts, and reception. It includes primary readings in anti-racist, feminist, modern, postmodern, and queer cultural and social theory, and compares them to traditional approaches to the humanities. Designed as preparation for intermediate and advanced work grounded in cultural studies, the course is writing intensive, with special emphasis on developing skills in critical thinking and scholarly argumentation and documentation. Completion of or enrollment in MCST 110 is the prerequisite for majoring in media and cultural studies.

General Education Requirements:
Writing WA

Distribution Requirements:
Humanities

Course Materials

An examination of the evolution of influential political concepts and theories from ancient cultures to the present day, by those writing in/from/to the West. Introduction through textual analysis to historical and contemporary understandings of key terms such as authority, legitimacy, liberty, republicanism, democracy, revolution and "the good." Additionally, the course provides an introduction to political theory methods of analysis and critique, through the development of skills in reading, critical thinking, and writing.

General Education Requirements:
Writing WA

Distribution Requirements:
Humanities

Course Materials

An examination of the evolution of influential political concepts and theories from ancient cultures to the present day, by those writing in/from/to the West. Introduction through textual analysis to historical and contemporary understandings of key terms such as authority, legitimacy, liberty, republicanism, democracy, revolution and "the good." Additionally, the course provides an introduction to political theory methods of analysis and critique, through the development of skills in reading, critical thinking, and writing.

General Education Requirements:
Writing WA

Distribution Requirements:
Humanities

Course Materials

The first decades of the 20th century produced some of the most innovative works in literary history, permanently transforming how we see, hear, and otherwise perceive the world around us. More than any aesthetic movement before or since, modernists including Virginia Woolf, Ezra Pound, Franz Kafka, Rainer Maria Rilke, Hugo von Hofmannsthal, Gertrude Stein, and Marcel Proust were keenly aware of both the limits of language and the inevitability of their transgression. They used words in ways that stretch sense to the point where it breaks, but with the aim of revealing a richer domain of finer-grained perception that is obscured by our everyday linguistic and intellectual habits. Over the course of the semester, we will read literary and theoretical accounts that both thematize and perform their own linguistic (in)capacities: to represent, to translate, to obscure, to estrange, to reveal. We will also examine some instances of modernist music, painting, and film. Our aim is to arrive at a nuanced understanding of how words work, contrasting linguistic phenomena with other forms of expressive media, and inquiring into the potential of language to articulate non-linguistic modes of experience. All readings in English. The course has no prerequisites and is open to first years.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Humanities

Course Materials

The first decades of the 20th century produced some of the most innovative works in literary history, permanently transforming how we see, hear, and otherwise perceive the world around us. More than any aesthetic movement before or since, modernists including Virginia Woolf, Ezra Pound, Franz Kafka, Rainer Maria Rilke, Hugo von Hofmannsthal, Gertrude Stein, and Marcel Proust were keenly aware of both the limits of language and the inevitability of their transgression. They used words in ways that stretch sense to the point where it breaks, but with the aim of revealing a richer domain of finer-grained perception that is obscured by our everyday linguistic and intellectual habits. Over the course of the semester, we will read literary and theoretical accounts that both thematize and perform their own linguistic (in)capacities: to represent, to translate, to obscure, to estrange, to reveal. We will also examine some instances of modernist music, painting, and film. Our aim is to arrive at a nuanced understanding of how words work, contrasting linguistic phenomena with other forms of expressive media, and inquiring into the potential of language to articulate non-linguistic modes of experience. All readings in English. The course has no prerequisites and is open to first years.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Humanities

Course Materials

This course will examine the developments of contemporary art beyond traditional centers of gravity in Europe and the United States. Using a series of case studies, it will examine how globalization impacts artistic production in different parts of the world, including Asia, Africa, India, Latin America, Russia, Eastern Europe, Russia, and the Middle East. While analyzing a diverse range of artistic practices in these regions, the course will critically explore key discourses around the topic of globalization, including hybridity and diaspora, from post-modern and post-colonial perspectives. No background in art history necessary.

General Education Requirements:
Internationalism

Distribution Requirements:
Fine arts

Course Materials

This course will examine the developments of contemporary art beyond traditional centers of gravity in Europe and the United States. Using a series of case studies, it will examine how globalization impacts artistic production in different parts of the world, including Asia, Africa, India, Latin America, Russia, Eastern Europe, Russia, and the Middle East. While analyzing a diverse range of artistic practices in these regions, the course will critically explore key discourses around the topic of globalization, including hybridity and diaspora, from post-modern and post-colonial perspectives. No background in art history necessary.

General Education Requirements:
Internationalism

Distribution Requirements:
Fine arts

Course Materials

The course is an introduction to some of the important theoretical and methodological work conducted by scholars in various disciplines who hope to better define and understand religious phenomena. This seminar begins with some of the early twentieth century texts that are often cited and discussed by contemporary scholars of religion (e.g., Durkheim, Weber, Freud) and then turns to a number of investigations stemming from engagement with earlier theorists or refracting new concerns. The course inquires into the problems of defining and analyzing religious cultures, and the researcher's position or positions in this analysis, as this has been approached from anthropological, sociological, and religious studies perspectives.

General Education Requirements:
Writing WC

Distribution Requirements:
Humanities

Course Materials

This course brings together discourses that have remained somewhat parallel and unrelated--Whiteness Studies and Postcolonial Studies. Before and during the pandemic, these intertwine in similar but also radically different ways. The course is based on the premise that “Whiteness,” as an academic/social framework, stems from and is intertwined with social and political identity-based movements (feminist, critical race, indigenous, etc.). This course explores where and how the notion of 'whiteness' converges and diverges from post-colonialism. The goals are to learn how “Whiteness” is a category to define identity and to analyze experiences in literature and in our lives, to understand what “Post/Colonialism” is as a historical experience for so many of us and as a field of study, to intersect the two and interpret literature and culture, and to move towards decolonial knowledge and praxis by reflecting on the ways in which we are positioned at the intersection of these histories. Literature by James Baldwin, Frantz Fanon, Gordimer, Zadie Smith; music by Pete Seeger and Macklemore, critiques of White nationalisms, and films by Hector Babenco and James Cameron are included.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

All readings and class taught in English; no pre-knowledge required. A widespread tendency in contemporary Western societies is to associate metaphysics with religion, if not with what is often dismissively called the "irrational." This course will dismantle this myth by reading closely European philosophy and political theory, mostly since the seventeenth century, in their relation to theology and their reception by twentieth-century critical theory. This will allow us to examine the ways in which secular thought emerges not as an alternative to metaphysics-something which thought cannot supersede anyway-but rather as a different way of dealing with the very same metaphysical questions and issues that concern religion, from the meaning of life to the imminence of death, and from (actual or imagined) guilt to the hope for redemption. We shall endeavor to identify the similarities and differences between the 'secular' and the 'religious' ways, including their respective relations to rationality and their functions in ideology. Readings may include: Aristotle, Talal Asad, George Bataille, Walter Benjamin, Kenneth Burke, Richard Dienst, Emile Durkheim, Michel Foucault, Sigmund Freud, Peter Harrison, Jacques Lacan, Karl Marx, Marcel Mauss, Carl Schmitt, Baruch Spinoza, Alberto Toscano, Max Weber, Slavoj Zizek.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

All readings and class taught in English; no pre-knowledge required. A widespread tendency in contemporary Western societies is to associate metaphysics with religion, if not with what is often dismissively called the "irrational." This course will dismantle this myth by reading closely European philosophy and political theory, mostly since the seventeenth century, in their relation to theology and their reception by twentieth-century critical theory. This will allow us to examine the ways in which secular thought emerges not as an alternative to metaphysics-something which thought cannot supersede anyway-but rather as a different way of dealing with the very same metaphysical questions and issues that concern religion, from the meaning of life to the imminence of death, and from (actual or imagined) guilt to the hope for redemption. We shall endeavor to identify the similarities and differences between the 'secular' and the 'religious' ways, including their respective relations to rationality and their functions in ideology. Readings may include: Aristotle, Talal Asad, George Bataille, Walter Benjamin, Kenneth Burke, Richard Dienst, Emile Durkheim, Michel Foucault, Sigmund Freud, Peter Harrison, Jacques Lacan, Karl Marx, Marcel Mauss, Carl Schmitt, Baruch Spinoza, Alberto Toscano, Max Weber, Slavoj Zizek.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

All readings and class taught in English; no pre-knowledge required. A widespread tendency in contemporary Western societies is to associate metaphysics with religion, if not with what is often dismissively called the "irrational." This course will dismantle this myth by reading closely European philosophy and political theory, mostly since the seventeenth century, in their relation to theology and their reception by twentieth-century critical theory. This will allow us to examine the ways in which secular thought emerges not as an alternative to metaphysics-something which thought cannot supersede anyway-but rather as a different way of dealing with the very same metaphysical questions and issues that concern religion, from the meaning of life to the imminence of death, and from (actual or imagined) guilt to the hope for redemption. We shall endeavor to identify the similarities and differences between the 'secular' and the 'religious' ways, including their respective relations to rationality and their functions in ideology. Readings may include: Aristotle, Talal Asad, George Bataille, Walter Benjamin, Kenneth Burke, Richard Dienst, Emile Durkheim, Michel Foucault, Sigmund Freud, Peter Harrison, Jacques Lacan, Karl Marx, Marcel Mauss, Carl Schmitt, Baruch Spinoza, Alberto Toscano, Max Weber, Slavoj Zizek.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

Taught in English. “Free choice is the only miracle the moderns recognize” (Karol Berger). Freedom has for some time now occupied an ambiguous place in our collective state of mind: while the Right takes to the streets in the name of freedom, MLK’s “free at last” continues to resonate in the Left’s calls for social justice. Both see freedom in a distinctly modern light, as a naturally given or innate property of humans as individual agents of choice. In this course, we will work to gain a measure of distance on this common view of freedom by counterposing it with premodern concepts as well as modern strains of thought that go against the grain of classical liberalism. As Hannah Arendt pointed out, not until the Enlightenment of the 16th and 17th centuries did anyone see freedom as inherent in or even attainable by an individual human; and from Hegel and Marx to Adorno, Badiou, and Agamben, freedom means something quite different from what we think of as individual free will: not something I have by default and that others might limit, but something I need others for in order to realize. Readings from Aristotle, Hume, Kant, Hegel, Marx, Nietzsche, Foucault, Du Bois, Sartre, Lorde, Mbembe, Badiou, Ahmad Yousif, Toni Morrison, and others. Several reading responses; one short and two mid-length papers, with revisions. No prerequisites, but be prepared to work your way through some densely argued texts.

General Education Requirements:
Writing WA

Distribution Requirements:
Humanities

Course Materials

In two separate interviews in the 1970s, Michel Foucault claims he hides his citations of Karl Marx. These claims undermine the dominant scholarly narrative according to which Marx and Foucault offer contradictory frameworks of analysis. Through an exploration of key texts by these authors, this class will explore the possibility of reading Marx and Foucault as theoretical allies rather than enemies. In particular, we will focus on the possibility of reading Marx’s critique of political economy and Foucault’s genealogical analysis of power and subjectivity together. We will compare the methods of the authors, consider their approaches to the study of history, and ask what it means to take up their theoretical work politically.

General Education Requirements:

Distribution Requirements:
Social science

Course Materials

Taught in English.“Free choice is the only miracle the moderns recognize” (Karol Berger). Freedom has for some time now occupied an ambiguous place in our collective state of mind: while the Right takes to the streets in the name of freedom, MLK’s “free at last” continues to resonate in the Left’s calls for social justice. Both see freedom in a distinctly modern light, as a naturally given or innate property of humans as individual agents of choice. In this course, we will work to gain a measure of distance on this common view of freedom by counterposing it with premodern concepts as well as modern strains of thought that go against the grain of classical liberalism. As Hannah Arendt pointed out, not until the Enlightenment of the 16th and 17th centuries did anyone see freedom as inherent in or even attainable by an individual human; and from Hegel and Marx to Adorno, Badiou, and Agamben, freedom means something quite different from what we think of as individual free will: not something I have by default and that others might limit, but something I need others for in order to realize. Readings from Aristotle, Hume, Kant, Hegel, Marx, Nietzsche, Foucault, Du Bois, Sartre, Lorde, Mbembe, Badiou, Ahmad Yousif, Toni Morrison, and others. Several reading responses; one short and two mid-length papers, with revisions. No prerequisites, but be prepared to work your way through some densely argued texts.

General Education Requirements:
Writing WA

Distribution Requirements:
Humanities

Course Materials

Understanding the conditions we live in through a greater awareness of systems and ideologies, both dominant and marginalized, could help us to place individuals’ and communities’ beliefs and actions in context, provide a deeper knowledge of how power works, and become aware of counterhegemonies. Antonio Gramsci, whom Mussolini incarcerated and who died in prison, offers us a modern theory of hegemony that not only addresses hierarchies but also analyzes how constructs become naturalized. Authors and creators include some among Gramsci, José Carlos Mariátegui, Walter Benjamin, Emma Goldman, Rosa Luxemburg, Theodor Adorno, Max Horkheimer, Claudia Jones, Frantz Fanon, Louis Althusser, Michel Foucault, Sylvia Wynter, Gayatri Spivak, Paolo Freire, Angela Davis, Judith Butler, Gloria Anzaldúa, bell hooks, Arundhati Roy, Chela Sandoval, Cathy Cohen, Michael Hardt, Toni Negri, Gilles Deleuze, Félix Guattari, Silvia Federici, Ernesto Laclau, Chantal Mouffe, Trinh Minh-ha, and others. The materials for this course includes essays, poems, fiction, film, art, and music, and will focus on intersections of feminist, postmodern, socialist, indigenous, queer, critical race, critical Whiteness, and post/neocolonial, and neo/liberal frameworks. The space-time of one semester will be insufficient to conduct a deep and careful study of all this. This course is Part 1. Part 2 will be in Spring 2025, with authors not covered in Part 1. Being familiar with theory, being able to read slowly, being willing to discuss carefully, and being patient with building knowledge collectively are highly desirable prerequisites. Students may take either or both.

General Education Requirements:
Internationalism

Distribution Requirements:

Course Materials

This course will examine the historical origins and political contours of global capitalism through a focus on the international relations of colonialism and empire. We will analyze how concepts, institutions, and social relations such as private property, commodity production, markets, and free labor have been central to the construction of capitalist modernity. We will analyze these pillars of the global economy beyond the commonplace assumption of their emergence in Europe and examine how they have been shaped by global relations of conquest, indigenous dispossession, slavery, racialized exploitation, imperial war, and forms of social control such as policing and incarceration. We will trace the afterlives of these structures beyond formal decolonization and further explore abolitionist and anti-colonial modes of structuring political-economic life.

General Education Requirements:
Internationalism

Distribution Requirements:
Social science

Course Materials

This course will examine the historical origins and political contours of global capitalism through a focus on the international relations of colonialism and empire. We will analyze how concepts, institutions, and social relations such as private property, commodity production, markets, and free labor have been central to the construction of capitalist modernity. We will analyze these pillars of the global economy beyond the commonplace assumption of their emergence in Europe and examine how they have been shaped by global relations of conquest, indigenous dispossession, slavery, racialized exploitation, imperial war, and forms of social control such as policing and incarceration. We will trace the afterlives of these structures beyond formal decolonization and further explore abolitionist and anti-colonial modes of structuring political-economic life.

General Education Requirements:
Internationalism

Distribution Requirements:
Social science

Course Materials

From Italian Mafia dons to famous American philanthropists; from the knitting of "trauma teddies" in Helsinki to gift shopping in London; and from ceremonial exchange rings in Melanesia to the present day global refugee crisis: this course will investigate how generosity is understood and practiced in global perspective. We'll begin the semester by examining key debates surrounding reciprocity, gifts, and exchange, theories of altruism and generosity, and patron-client relations. We'll then explore the birth of the "humanitarian spirit," and the complicated ethics and politics of humanitarian intervention. We will compare diverse religious traditions' approaches to giving, including Islam, Christianity, Hinduism, and Jainism. And we'll explore contemporary debates surrounding volunteerism within sectarian and neoliberal political regimes.

General Education Requirements:
Internationalism

Distribution Requirements:
Social science

Course Materials

From Italian Mafia dons to famous American philanthropists; from the knitting of "trauma teddies" in Helsinki to gift shopping in London; and from ceremonial exchange rings in Melanesia to the present day global refugee crisis: this course will investigate how generosity is understood and practiced in global perspective. We'll begin the semester by examining key debates surrounding reciprocity, gifts, and exchange, theories of altruism and generosity, and patron-client relations. We'll then explore the birth of the "humanitarian spirit," and the complicated ethics and politics of humanitarian intervention. We will compare diverse religious traditions' approaches to giving, including Islam, Christianity, Hinduism, and Jainism. And we'll explore contemporary debates surrounding volunteerism within sectarian and neoliberal political regimes.

General Education Requirements:
Internationalism

Distribution Requirements:
Social science

Course Materials

Traces the development of theoretical accounts of culture, politics and identity in Africa, South Asia, the Caribbean and related lands since the 1947-1991 decolonizations. Readings include Fanon, Said, Walcott, Ngugi and many others, and extend to gender, literature, the U.S., and the post-Soviet sphere. The course bridges cultural representational, and political theory. Prerequisite(s): Prior internationalist and/or theoretical coursework strongly recommended.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Humanities

Course Materials

Traces the development of theoretical accounts of culture, politics and identity in Africa, South Asia, the Caribbean and related lands since the 1947-1991 decolonizations. Readings include Fanon, Said, Walcott, Ngugi and many others, and extend to gender, literature, the U.S., the post-Soviet sphere, and Europe. The course bridges cultural, representational, and political theory. Prerequisite(s): Prior internationalist and/or theoretical coursework strongly recommended.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Humanities

Course Materials

This course explores how philosophers, creative writers, artists, and filmmakers have taken everyday life as a point of departure for critical reflection and creative practice. Grounded in cultural studies and feminist approaches to knowledge production, we will examine the everyday as a lens into a wide range of topics, including power, the body, race, gender, sexuality, capitalism, and colonialism. While surveying a wide range of approaches, the course will focus on the emerging genre of Autotheory, which blends critical theory with autobiography and memoir, leading to new insights and modes of resistance. In doing so, we will derive inspiration from contemporary writers, filmmakers, and artists who break with traditional approaches to academic writing and research by using the everyday as raw material. Students will have the opportunity to carry out a creative research project in the form of a written essay, film, or other multimedia form.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

This course explores how philosophers, creative writers, artists, and filmmakers have taken everyday life as a point of departure for critical reflection and creative practice. Grounded in cultural studies and feminist approaches to knowledge production, we will examine the everyday as a lens into a wide range of topics, including power, the body, race, gender, sexuality, capitalism, and colonialism. While surveying a wide range of approaches, the course will focus on the emerging genre of Autotheory, which blends critical theory with autobiography and memoir, leading to new insights and modes of resistance. In doing so, we will derive inspiration from contemporary writers, filmmakers, and artists who break with traditional approaches to academic writing and research by using the everyday as raw material. Students will have the opportunity to carry out a creative research project in the form of a written essay, film, or other multimedia form.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

This course introduces students to the broad range of explanations for social and cultural phenomena used by anthropologists since the emergence of the discipline in the 19th century. The course focuses on the development of three broad theoretical approaches: The American school of cultural anthropology, British social anthropology, and the French school that emerged from the work of Durkheim and his followers. The course also examines theoretical approaches such as cultural materialism, and symbolic and interpretive approaches to the study of culture. Prerequisite(s): Junior or senior standing.  Students should have at least two courses in anthropology including ANTH 101 or ANTH 111, or the permission of the instructor.

General Education Requirements:

Distribution Requirements:
Social science

Course Materials

In the capstone seminar, students working on an independent project in line with the theme of the seminar share their scholarship, integrating what they have learned in the major, emphasizing knowledge gained in their focus area, as well as presenting their work at a concluding mini-conference. The capstone experience involves close analysis of cultural artifacts that examine at a higher level issues first raised in the introductory course. The department plans to offer two seminars every year, at least one in media studies, enabling students to select the seminar most relevant to their intellectual development. In exceptional cases, students with sufficient preparation may take the seminar prior to their senior year. Students may take more than one MCST senior seminar as long as content varies. Recent seminar topics have included: Image/Text: Metaphor, Myth and Power; Advanced Film Analysis; Advanced Studies in War and Media; Postmodernism, Identity and the Media; Whiteness and the Media; Advanced Queer Media. Prerequisite(s): MCST 110 - Texts and Power: Foundations of Media and Cultural Studies or permission of instructor. MCST 128 - Film Analysis/Visual Culture recommended for film studies seminars. Non-majors are welcome if they have taken MCST 110 or a comparable course.

General Education Requirements:

Distribution Requirements:

Course Materials

This course introduces students to the intellectual roots and contemporary applications of cultural studies, including critical media studies, focusing on the theoretical bases for analyses of power and meaning in production, texts, and reception. It includes primary readings in anti-racist, feminist, modern, postmodern, and queer cultural and social theory, and compares them to traditional approaches to the humanities. Designed as preparation for intermediate and advanced work grounded in cultural studies, the course is writing intensive, with special emphasis on developing skills in critical thinking and scholarly argumentation and documentation. Completion of or enrollment in MCST 110 is the prerequisite for majoring in media and cultural studies.

General Education Requirements:
Writing WA

Distribution Requirements:
Humanities

Course Materials

The Far Right in the United States has appropriated working class identities to produce an identity among the white working class. Donald Trump, for instance, intentionally portrays a large gap in highbrow and lowbrow to take jabs at privileged liberals (such as when he tweeted the "Hamberder" photo). This course observes what can be called the Far Right "theater of politics" in order to understand how liberals have left working class culture behind in ways that allowed the far right to fill the void by finding persuasive techniques in culture (country music, religion, church...) to articulate a political voice that some working class folks, especially whites, may find appealing. Some of the major questions of the course include: (1) How do political and economic elites produce class, gender, and racial divides and segmentations by aligning themselves with the cultural practices often associated with working class folks? (2) Can the left create a political culture that cultivates respect for organic cultural expressions that include religious expressions and pop-cultural themes like country music and sports (yes, even football!) into their fold  Reducing everything to class and asking all others to submit to its political logic is a limited vision. Instead, the course investigates whether it is possible to envision a political project that rather than privileging the concerns of upper-middle class whites produces a culture of resistance that can articulate working class subjects - straight, queer, white, black, binary, non-binary - into a populist left movement? One of the truly powerful features of the Left is that it is much more diverse than the Far Right. Is it possible to extend that diversity even further so that it can show a "little respect" for organic cultural producers to feel comfortable producing and living in multiple class, racial, gender, and sexual habitus?

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Social science

Course Materials

This course is a historical survey of theories and methodologies used in feminist and queer studies. Course material highlights the unique and intertwined knowledges feminist and queer scholars have produced; these include the re-makings of liberal, Marxian, antiracist, poststructuralist, and postcolonial theories, and their uses in humanities and social science methods. The course centrally examines how feminist and queer studies transform societies and are transformed through struggle over their gender/sexual identities, racial formations, and global/transnational locations. The course considers how feminist and queer studies have arisen in close relationships-of union, tension, and antagonism-and how feminist and queer work today may link. Prerequisite(s): Intermediate level courses require sophomore standing or permission of the instructor, and at least one introductory-level women's, gender, and sexuality studies core course.

General Education Requirements:

Distribution Requirements:

Course Materials

Analysis of contemporary feminist theories regarding gender identity, biological and socio-cultural influences on subjectivity and knowledge, and relations between the personal and the political.

General Education Requirements:

Distribution Requirements:
Social science

Course Materials

Analysis of contemporary feminist theories regarding gender identity, biological and socio-cultural influences on subjectivity and knowledge, and relations between the personal and the political.

General Education Requirements:

Distribution Requirements:
Social science

Course Materials

Taught in English; there is an optional German component for those who want to have the course count toward their German-taught courses. In this case, students must do the reading and writing assignments and some of their oral presentations in German.Cinema Studies is a film course with a special emphasis on some aspect of German culture relating to cinema, such as German film production, film adaptations of German literary texts, or the representation of German history in world cinema. While familiarizing students with the methodologies of film analysis, the course focus may vary from a historical or genre survey to a particular concept (such as representations of gender, race, nationality) to a cross-section between film and other texts. Students will gain insight into film as an aesthetic, ideological, and political medium, and into specifics of German history and culture. Students may register more than once in this course, provided a different topic is offered.​

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

This course is designed to engage students with the most sophisticated and useful schools of thought available in the social science disciplines. The course raises a number of questions: How can we best understand the complexities of self and society? Are these units of analysis useful in and of themselves? Are they contained in an essential body or polity that we can identify as some unitary entity called Jenny and John Doe, American, French, Arab/Jew, black/white, modern/primitive, developed/underdeveloped, Oriental/ Occidental, homo/heterosexual, male/female? Or are they socially produced units that have no essence in-of-themselves, produced and made real only through performance with the "Other"? Furthermore, is there something unique about modernity that has fundamentally transformed the notions of our selves, bodies, polities, races, and civilizations? If the answer to the last question is in the affirmative, how and why did this come to be the case, and what consequences does it hold for our understanding of the past and of the future? These are the kinds of questions that great figures in sociology have been asking since the nineteenth-century, including classic theorists like Emile Durkheim, Max Weber, and Karl Marx, as well as more recent writers such as Ervin Goffman, Michel Foucault, Immanuel Wallerstein, and Edward Said.

General Education Requirements:

Distribution Requirements:
Social science

Course Materials

All readings and class taught in English; no pre-knowledge required. For thousands of years value has been scrutinized in philosophy, art history, and economic analysis, as it cuts across three constitutive aspects of social, cultural, and political life: economy, aesthetics, and ethics. Not only do we have and impose on the world our moral, aesthetic, and exchange values, but these three fields often become difficult to distinguish, as is evident in the slippery flexibility of words that allow us to say as much "this painting is bad or worthless" as "I think this person is bad or worthless," or "this is a bad, or worthless, remark" and "this is a bad or worthless check." This course will focus primarily on influential accounts of value in aesthetic theory, while also examining the ways in which aesthetic value demarcates itself from or implicates its moral and economic counterparts, and what the interplays among the three fields entail for aesthetic value. Our readings will focus on the formation of modern aesthetic theory-from the early eighteenth century through the Enlightenment and Romanticism to high modernism, the Frankfurt School, and postmodernism.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

All readings and class taught in English; no pre-knowledge required. For thousands of years value has been scrutinized in philosophy, art history, and economic analysis, as it cuts across three constitutive aspects of social, cultural, and political life: economy, aesthetics, and ethics. Not only do we have and impose on the world our moral, aesthetic, and exchange values, but these three fields often become difficult to distinguish, as is evident in the slippery flexibility of words that allow us to say as much "this painting is bad or worthless" as "I think this person is bad or worthless," or "this is a bad, or worthless, remark" and "this is a bad or worthless check." This course will focus primarily on influential accounts of value in aesthetic theory, while also examining the ways in which aesthetic value demarcates itself from or implicates its moral and economic counterparts, and what the interplays among the three fields entail for aesthetic value. Our readings will focus on the formation of modern aesthetic theory-from the early eighteenth century through the Enlightenment and Romanticism to high modernism, the Frankfurt School, and postmodernism.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

According to Cedric Robinson, capitalism, from its advent, "pursued essentially racial directions." This insight led Robinson to a theory of “racial capitalism” that has been taken up by several scholars across disciplines. Through this course, we will attempt to answer the following questions: What is racial capitalism? How do we understand its key components (racism and capitalism) and how do they relate to one other? Is the question of the relationship between racism and capitalism a historical one or a purely theoretical one? How have these concepts influenced contemporary political struggles? What role do slavery, property relations, prisons, and the police play in the reproduction of racial capitalism?

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

This is an upper-level course aimed at providing an introduction to phenomenology and existentialism, two interrelated philosophical movements originating in Europe at the beginning of twentieth century. In particular, we will examine some of the most prominent thinkers in these movements (namely, Husserl, Heidegger, Sartre, Merleau-Ponty and de Beauvoir) as well as their respective views concerning several core themes (namely, being-in-the-world, authenticity, the body, the other, and freedom). We will examine each figure and their views on these topics respectively, all the while gradually comparing them to each other and noting the differences and evolution of views between them.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

This course considers surveillance as a social formation, inseparable from the theory and exercise of power. On the one hand, it takes up the pressing questions surveillance raises, from the development of cutting-edge technologies to the complex work of international regulation. On the other hand, it situates surveillance historically as central to projects of imperial conquest, state formation, and colonial rule. Engaging with theoretical works, primary sources, empirical studies and artistic renderings, students will grapple with problems of surveillance and power across geographic and historical contexts.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

This course considers surveillance as a social formation, inseparable from the theory and exercise of power. On the one hand, it takes up the pressing questions surveillance raises, from the development of cutting-edge technologies to the complex work of international regulation. On the other hand, it situates surveillance historically as central to projects of imperial conquest, state formation, and colonial rule. Engaging with theoretical works, primary sources, empirical studies and artistic renderings, students will grapple with problems of surveillance and power across geographic and historical contexts.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

Taught in English; there is an optional German component for those who want to have the course count toward their German-taught courses. In this case, students must do the reading and writing assignments and some of their oral presentations in German.Cinema Studies is a film course with a special emphasis on some aspect of German culture relating to cinema, such as German film production, film adaptations of German literary texts, or the representation of German history in world cinema. While familiarizing students with the methodologies of film analysis, the course focus may vary from a historical or genre survey to a particular concept (such as representations of gender, race, nationality) to a cross-section between film and other texts. Students will gain insight into film as an aesthetic, ideological, and political medium, and into specifics of German history and culture. Students may register more than once in this course, provided a different topic is offered.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

Varies by semester. Consult the department or class schedule for current listing.

General Education Requirements:

Distribution Requirements:

Course Materials