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Current & Alumni Fellows


2024-2025 MMUF cohort at the Midwest Regional Conference hosted by Northwestern University. Not pictured: Hayden Banas and Dallas Watson
“Pregnant with success!”

Class of 2026

Kiara Amezcua

Major: Spanish and Linguistics
Project: Latinidad in the Age of Tiktok: Exploring the intersection of language and identity performance on social media
Identity is neither static nor singular in its construction or expression, meaning our social and linguistic behavior constantly influences and interacts with our ideas of the world, even in the understudied space of social media. How is identity constructed online within a marginalized group associated with a marginalized language? Spanish is heavily stitched into the national fabric of the United States, predating the arrival of English, with an estimated and rising 42 million speakers, yet American history and politics have caused Spanish and Spanish-speakers to be viewed as lesser and outsiders. Despite negative attitudes and stereotypes, identities within Latinidad have come to embrace linguistic behaviors like Spanglish and decouple Latinidad from language.

My research investigates how Latinxs perform their identity on TikTok. What different linguistic markers (lexical variants, phonological variants, etc.) and visual features (emojis, clothing, captions) do Latinxs use to showcase their identity? To explore this, I will be creating an online corpus derived from hashtags like #Latino and #Hispanic (among others). I will analyze both linguistic and visual elements of this corpus using qualitative software, ATLAS.ti. Additionally, I will interview a subset of Latinxs (ages 18-24) to interpret attitudes toward their online representations and engagement. I aim to reveal the dynamic nature of Latinx identity and contribute to a deeper understanding of identity performance within digital contexts. By understanding social media’s role in identity performance, we can better navigate and utilize these platforms to create a sense of community and cultural belonging with future generations.

Hayden Banas

Sophia Noh

Major: Art History
Project: Soft Power and Fine Art: The Controversy of Creating a Transnational Image of South Korea
A recent scandal at the Gwangju Biennale has brought to light an ongoing question in South Korean contemporary art: When visual culture informs interpretations of the past, what kinds of visual culture do nations want to preserve and promote? To address this question, I will be looking at two artistic genres that clash in this debate: Minjung, a form of protest art arising in the 1980’s, and Dansaekhwa, an apolitical modernist form of abstraction. Although both are widely recognized as authentic genres of Korean art, Dansaekhwa is far more popular abroad as a form of South Korean cultural export. I aim to investigate what makes an art genre easily exportable, and why Dansaekhwa gained more popularity when South Korean contemporary art is so deeply rooted in Minjung ideas. I will use news coverage, gallery exhibits, and critical perspectives on Minjung and Dansaekhwa to inform my findings. The term “soft power”, the cultural and economic power of a nation, will be utilized as the framework from which I examine the motivations for the South Korean artistic elite to suppress the expression of Minjung ideas . The stakes of this debate are raised by commercial and political involvement exemplified by the government-based Arts Council Korea, and Samsungsponsored museum exhibits. As major art institutions like FRIEZE Art Fair and The Guggenheim cash in on South Korean art, an accurate representation of South Korea’s past becomes ever-more urgent.

Kolya Shi

Major: Classics and German
Project: Quel Bordel! French Revolutionary Pamphlet Literature and Caricature
In eighteenth-century Europe, the (dis-)ordering of the body was used to reflect the (dis-)ordering of the world. Corporeal metaphor was especially potent in revolutionary France, where the word for body, le corps, encompassed everybody from the lowliest subject to the king himself, and the systems which united them, from guilds to the French kingdom. Images and depictions of different bodies, physical and political, were incredibly prolific at the time, where the press was bringing about a new consciousness and widening the public sphere. My project looks at how the body was manipulated in representing and engendering the transition from subjects of a kingdom to citizens of a republic, especially with reference to the category of “female” or “femaleness,” and how the body was used to express the tensions and anxieties present in revolutionary France. More specifically, I will be focusing on a particular genre in the media of the time—pamphlet literature and caricature (in relation to the former)—during the period 1788–1794. These pamphlets are fascinating in the way they sensationalize often taboo topics, broadcasting private vices turned public sins. I will be looking at sensationalist pamphlets from all parts of the political spectrum of the period, such as court-funded libelles from a bit before the revolution, to royalist and revolutionary pamphlets. I will be tracing popular waves of thought throughout the shifting political arena of the revolution, and examine how the discursive strategies used vary from group to group – if they do at all.

Dallas Watson

Class of 2025

Antara Bhattacharyay

Major: Music and Math
Project: Critical Listening Positionality in South Asia: Contextualizing Bengali Dalit Musical Resistance
Despite major political shifts over time, caste hierarchy remains entrenched in Indian society. Caste demarcates social strata through the enforcement of endogamy and particular cultural norms, framing current sociopolitical agendas and cultural production. Excluded from the four main castes, Dalits are positioned at the bottom of this hierarchy, facing caste-based discrimination. In this paper, I examine how the concept of critical listening positionality, proposed by xwélmexw scholar Dylan Robinson, translates to the caste context in South Asia. Robinson describes critical listening positionality as a process of re-examining our relationships to music, its cultural context, and the identities we hold while listening. Through the examination of the work of Smritikana Howlader (b. 1960), a Dalit singer-songwriter involved in the Bangla Dalit Literary Movement in West Bengal, India, I ask how caste inflects the ways we are able to listen to Howlader’s music. Amidst Dalit activism and growing literary efforts in 1960s postcolonial India, the Bangla Dalit Literary Movement emerged in West Bengal, producing literary and musical works opposed to upper caste narratives. In analyzing Howlader’s musical contributions to this movement, I further inquire about what sonic labor Howlader engages in to overturn dominant caste attitudes and conceive collective freedoms.

Leo Corral

Major: Sociology and Latin American Studies
Project: Care to Work? How Latinx Students Integrate Family Roles into Care Networks for College Success
Feminist sociologists have focused on the intersection of work, family, and care practices. However, few academics consider how family labor practices that support emotional, physical, and social well-being impact the transition to college. My research asks: “How do the children of immigrants respond to care practices within their families, and how does this socialization shape the skills and strategies immigrant children use as young adults?” I focus on Latinx students transitioning from family to college settings, looking at how they collaborate and support one another in navigating predominantly white, capitalist institutions. In doing so, I attempt to identify the types of capital mobilized by students as they assert agency, and responsibility within the institution, determining how students take normative ideas and models from home to establish their own care-networks. Immigrant communities often develop strategies to navigate and resist social exclusion and discrimination, which can shape how children see their own ability to act and make choices. In the summer of 2024, I interviewed ten Latinx students who were socialized as women and were members of the Latinx Student Union at a liberal arts college, conducting a qualitative study of care practices in immigrant families and college campuses. Through data and concepts from network theory, I argue that Latinx students are expanding care networks by integrating care practices within the university. In creating these networks, students are exposing the failures of the current system, proposing an alternate strategy that values care-work as essential to larger social organizing and mutual aid efforts.

Karla Garcia

Major: American Studies and Educational Studies
Project: Religious Placemaking: Community and Pertenencia Fluyente – A Midwest Case Study of the Latinx Diaspora at the Catholic Church of San Miguel Arcángel
How has the Latinx diaspora utilized the Catholic Church as a space to construct an environment of “home”? To answer this question, I draw upon five semi-structured ethnographic interviews conducted with parish members and leadership at the shared parish of San Miguel Arcángel, situated in the Upper Midwest. Understanding that community inherently exists partly due to parish members’ distinct methods of community cultivation over the last twenty years, I question if belonging inherently follows. Analysis of interview responses shows that community, belonging, and tensions coexist within the parish. Felix Padilla’s 1985 study utilizes the term “situational identity” while Peruvian American scholar Susan Oboler labels this same shifting actuality of belonging and expendability as “temporary sense of belonging”. In employing the terms, Padilla and Oboler attempt to highlight how minoritized communities are at times belonging and at other moments seen as dispensable in the eyes of dominant society. The transient implications of these two terms do not fully encompass the multifaceted and fluctuating Latinx experience at the case study parish. The Latinx sector of the parish of San Miguel Arcángel has transcended the unequivocal understanding of community and belonging, breaking the norms of temporality. To better describe their unique experience, I propose the concept of “Pertenencia Fluyente” (in English: “Fluid Belonging”). Understanding how community manifests within Latinx religious institutions is a launching point for learning from each other and nurturing solidarity.

Huihui Jiang

Major: Religious Studies and Linguistics
Project: Meritorious Repetitions: Parallels Between Recitations of Mantras and the Copying of Sutras
What is the value of manually copying Buddhist sutras? Despite the popularity of sutra-copying practices in East Asia since medieval times, the words of the Buddha and his immediate disciples were orally compiled and transmitted for at least a century, before it was decided that they should be written down. Writing systems existed at the time of Buddha, yet oral transmission and memorization remained the standard ways to preserve teachings and texts in ancient India. Nevertheless, Buddhists pioneered the adoption of writing for religious teachings, given that the oldest Indian manuscripts are Buddhist. Copying sutras for merit, however, developed and popularized in lands beyond ancient Indian territories, as Buddhist scriptures were brought into East Asia via the Silk Road and translated into Chinese, the lingua franca of East Asia for almost two millennia. Sutra-copying is generally considered meritorious as a devotional and preservationist practice. In this paper, however, I explore how writing down Buddhist sutras has additional, separate value as an act of repetitive copying, similar to another Buddhist practice, mantra recitation. I first trace the history of the transmission of Buddhist teachings, then compare sutra-copying with mantra recitation, and draw on personal experiences to conclude that sutra-copying has merit independent of religious contents. Although both might seem meaningless at first if performed without comprehension of the text, sutra-copying and mantra recitations each offer the copyist an opportunity to improve at each iteration, while cultivating the virtues of patience, perseverance, and humility.

Louise Yang

Major: Sociology
Project: (Im)possibilities of Decolonization: Power Dynamics and the Actualization of Liberatory Theories in Academia
In the growing discourse on decolonization in education, there has been a trend of colleges and professors beginning to utilize decolonial theory and practice in their classrooms. Within education, the concept of decolonization has been introduced as a process of transformation to identify and deconstruct the white supremacist and colonial foundations that many prominent institutions are built on. Professors are starting to employ curricular and pedagogical tools to explore the possibilities of decolonial interventions in the classroom to disrupt the traditions within the university which perpetuate an investment in its oppressive structures. But, due to the co-optation by academic institutions of the term “decolonial” and a tendency to misinterpret what the values of decolonization are, there has been a call to critique how to engage with this theory as a process rather than an endpoint. Using ethnographic methodology, I am engaging in participant observation, personal interviews, and in-depth analysis of curricular and pedagogical approaches to courses in which professors have intended to apply theories of decolonization in their classroom to ask the questions: How do power relations in the classroom impact the actualization of decolonial theory in higher education? What does this mean for the possibilities and impossibilities of decolonial interventions in academia? My project aims to critique and address current applications of decolonial theory in academia by investigating the interactions between institutional, faculty, and student-to-educator power relations as well as the enactment of frameworks of liberatory education.

Alumni